![]() Here, the narrator undergoes such a change. "I grew, day by day, more moody, more irritable, more regardless of the feelings of others." To reiterate the comments in the introduction to this section, Poe believed that a man was capable at any time of undergoing a complete and total reversal of personality and of falling into a state of madness at any moment. Then suddenly (due partly to alcohol), the narrator underwent a significant change. ![]() Interestingly, Pluto was the narrator's favorite animal and for several years, there was a very special relationship between the animal and the narrator. The other popular notion relevant to this story is the belief that a cat has nine lives this superstition becomes a part of the story when the second black cat is believed to be a reincarnation of the dead Pluto with only one slight but horrible modification - the imprint of the gallows on its breast. Since his wife often made allusions to the popular notion that all black cats are witches in disguise, the name Pluto (which is the name of one of the gods of the underworld in charge of witches) becomes significant in terms of the entire story. Among the many animals that they possessed was a black cat which they named Pluto. Furthermore, he was very fortunate to marry a woman who was also fond of animals. His parents indulged his fondness for animals, and he was allowed to have many different kinds of pets. In this story, the narrator begins his confession in retrospect, at a time when he was considered to be a perfectly normal person, known for his docility and his humane considerations of animals and people. In addition, it is akin to "The Tell-Tale Heart" in that the narrator begins his story by asserting that he is not mad ("Yet, mad am I not - ") and, at the same time, he wants to place before the world a logical outline of the events that "have terrified - have tortured - have destroyed me." And during the process of proving that he is not mad, we see increasingly the actions of a madman who knows that he is going mad but who, at times, is able to objectively comment on the process of his increasing madness. ![]() In virtually all of Poe's tales, we know nothing about the narrator's background this particular story is no exception. PERVERSENESS." Clearly, many of the narrator's acts are without logic or motivation they are merely acts of perversity. In "The Black Cat," it is obvious that the chief effect that Poe wanted to achieve was a sense of absolute and total perverseness - "irrevocable. By this, he meant that the artist should decide what effect he wants to create in a story and in the reader's emotional response and then proceed to use all of his creative powers to achieve that particular effect: "Of the innumerable effects, or impressions, of which the heart or the soul is susceptible, what one shall I, on the present occasion, select?" In Poe's critical essay, "The Philosophy of Composition," he wrote about the importance of creating a unity or totality of effect in his stories. The narrator of "The Black Cat" is fully aware of his mental deterioration, and at certain points in the story, he recognizes the change that is occurring within him, and he tries to do something about it, but he finds himself unable to reverse his falling into madness. More than any of Poe's stories, "The Black Cat" illustrates best the capacity of the human mind to observe its own deterioration and the ability of the mind to comment upon its own destruction without being able to objectively halt that deterioration.
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